Heiselmann: “I could see the Velvet Underground. Even though it’s kind of an electronic song.”Ĭurtis: “I’d like to hear the Velvet Underground do that.” Heiselmann: “For sure the Muppets on that song. That song is very weird and instrumental.”
Heiselmann: “We’re going to say Eno and John Carpenter. Heiselmann: “I’d like to hear My Bloody Valentine cover that song.” Heiselmann: “What about early Genesis?” he asked the other guys in the van. I had seen them about 10 years before also. Just the intro.”Ĭurtis: “We’ll say Polvo for that one,” he said, mentioning that he caught one of their recent reunion gigs. “It was awesome. Roland’s old girlfriend used to play drums for them. They’re friends of ours. We played with them in SXSW this year. Heiselmann: “It could be the Mae Shi. We’ve been into them for a while. Here’s the track-by-track rundown they offered for most of French Miami, which was released by Dinner Party Recordings and the bandmembers themselves: But they didn’t seem too stressed out at the time and were game for “Cover Me.” Singer Jason Heiselmann did most of the talking, with multi-instrumentalist Roland Curtis occasionally chiming in, and drummer Chris Crawford more or less staying mum. The tour was actually one the guys had more or less booked themselves. Well, who better to ask than the guys themselves? I posed those questions to them last summer, while they were trekking around Detroit “hoping to run into RoboCop … and Batman.” So who do French Miami sound like? Or who would they like to sound like? Or who would they like to hear playing their songs? Plus, French Miami work in vocals – vocals that aren’t usually manipulated by electronics. Still, French Miami can be a lot more melancholic than either Trans Am or the Fucking Champs ever could. After all, Phil Manley, an agent of both groups, was the one twiddling the knobs when the San Francisco threesome recorded it. It’s no surprise that French Miami’s self-titled album drew comparisons to Trans Am and the Fucking Champs when it hit the streets last year.
#Nickleback too bad mp3 download series
Like all rock bands with staying power, Nickelback strike a perfect balance between sonic familiarity and measured risk-taking.An ongoing series in which musicians reveal the artists they’d most like to hear covering their songs. Seuss, while the album’s title track boasts jackhammering metal riffs. The Korn-reminiscent “Must Be Nice,” from 2017’s Feed the Machine, for example, interpolates lines from nursery rhymes and Dr. 1 in multiple countries) by keeping their sound fresh. Even as musical trends changed, the band remained successful (2005’s All the Right Reasons hit No. Early songs show traces of this period-the 2000 radio hit “Leader of Men” takes cues from the stacked harmonies of Nova Scotia power-pop act Sloan-although 2001’s global smash Silver Side Up found Nickelback settling into their rowdy but tender approach to mainstream rock. Unsurprisingly, this gives the Vancouver band widespread appeal: In the 2000s, they crossed over to the pop world with emotionally rich hits, such as “How You Remind Me” and “Photograph,” but kept a firm toehold in the heavier realm with the slashing “Too Bad” and the Southern rock-inspired “Rockstar.” Led by guitarist/vocalist Chad Kroeger, his bassist brother Mike Kroeger, and guitarist Ryan Peake, Nickelback initially coalesced in the early ’90s in Hanna, Alberta, as the cover band Village Idiot, playing alternative songs by Urge Overkill and fellow Canadians The Tragically Hip. Nickelback’s melodic post-grunge embraces the radio-friendly vibe of ’80s Canadian rock (think Bryan Adams and Loverboy) and the introspective bent of angsty ’90s alternative.
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